![]() ![]() Here is a somewhat extreme example of "balance":Īn example of what is possible **WITHOUT RESORTING TO THE COLOR BOARD**. You don't need the world of cr*p everyone tries to pile on for whatever lame reason. You can deal with shadows and highlights with more straightforward, intelligible methods. You still have some things to learn, but it's a lot more simple than what everyone would have you believe. You don't have to belong to a "society" or social group, you just know what to do and do it and get on with your editing (life). RGB color and that all the modifications are "additive" (or subtractive), then you know how easy it is to use "color on color" to get a final result you want. you can even pick different color "models". There's NO SUCH THING as "correction"! You cannot correct color! Color is color! (Repeating myself.) You either SEE IT or you DON'T. Meanwhile, everybody wants you to believe color boards are something special. years), learned my way around Final Cut Pro Studio's Color Wheels, and stopped using them altogether about 6 years ago when I began developing my own color tools. I learned the basics of color in Photoshop 30 years ago (as well as programming color applications on 68K macs), practiced many (many, many. Professional Colorists want to use tools like this because they are effectively exclusionary to the lay-person (which helps to secure their jobs - if everybody could do it - they'd be unnecessary.)īecause of "colorists", Color Boards need to be a standard part of any professional video editing environment. unless you settle for "just okay" if you accidentally find something close to what you're looking for. They're a PITA, take a long time to learn to use (well) and a long time (compared to other methods) to get the results you really want. "Colorists" (maybe! - or people who think they are.)Ĭolor Boards (along with the associated "scopes") were invented by a masochist. Looks are made up by people who know Color Board controls. the Volcano), cloudy days tend to have low saturation and low contrast. Fluorescent lighting tends to be rather sickly green (Joe vs. a hot sunny day may be more slightly yellow than a cool evening - cast in more "blues". Looks are "atmospheres" that somebody invented. Looks are just "presets" of color board settings. You've been being TOLD that you've been missing something. Using Color Finale® 2 or Color Finale® 2 Pro, users can then make stylistic adjustments to their Presets to better suit their content.(Getting up on my soapbox.) You're not really missing anything. Adding a professional color grade doesn’t get any easier than this!Įditors / Videographers - Presets are equally valid for those Final Cut Pro users who understand the color grading process, but want a professionally color graded look (a Preset) to start with. They can then copy and paste, or simply add, the same Preset look down their entire Final Cut Pro timeline. However, with just 4 clicks vloggers can quickly adjust powerful Exposure, Contrast, and White Balance controls to set their shots up optimally, before adding their chosen Preset look. Vloggers - color correction / color grading isn’t easy, we understand this. CF Presets are fully licenced, so you know who made them and how they made them.CF Presets obey global color parameters.CF Presets obey color management settings.CF Presets exhibit no image artefacts when used on different source material.CF Presets are suitable for a wide variety of source content.The key advantages of Color Finale Presets over LUTs are: Technically Presets are macros of color correction settings, and in our case, these are created by professional film / TV colorists. Think of a Preset as an adjustable LUT that can be tuned to work with multiple source video types. If you need to go back to Color Finale® 1.x use our Online License Manager to get old activation code and dowload old installer. Upgrade to Color Finale® 2 replaces Color Finale® 1.x. We will also transfer your previously purchased Color Finale®1.x Presets to Color Finale® 2 with the new license. If your links expire simply request a new link by entering the email address again into the box here. Links are temporary for security protection and will expire after 2 hours. Color Finale® 1.x Pro to Color Finale® 2 Pro or Color Finale® 1.x Pro to Color Finale® 2 Standard. The upgrade email will contain several options for upgrading e.g. ![]() ![]() If the email address is recognised a message will be sent to that email address with the links pre-populated with user information, and the coupon code. To receive an upgrade coupon enter the email address you used to purchase Color Finale® 1.x or LUT Gallery into the box here. We offer current users of Color Finale® 1.x and LUT Gallery a discounted upgrade program to Color Finale® 2.īelow are the prices (without local taxes) for the various upgrade options: ![]()
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